Born in Toronto in 1959, Mike Hoolboomhe is a prolific and versatile experimental filmmaker, emerged during the mid-1980. In parallel with his cinematographic production, he is also a critic and a curator and he is considered one of the greatest Canadian experimental filmmakers along with Michael Snow.
Fascinated with dismantling the mechanics of meanings,
he shot much of his early work using his father’s Super 8 camera. His works investigates how physicality determines perception and also how an image-saturated mass culture determines problems of perception.